
Fast Times, Big City is an amateur sleuth adventure. It’s the late 1950s and Bud Palmer is living his best life as a sports reporter for the Miami Herald. Then his Uncle Rick, a self-proclaimed PI, gets in hot water up to his eyeballs and clutches onto Bud as his life preserver. Now Bud has to go to cold NYC to find a girl he’s never met and recover a briefcase she stole before the Chicago mob gets impatient.
Bottom line: Fast Times, Big City is for you if you like reluctant heroes, plot driven quests, and immersion in eras gone by.
Listen to the first chapter here or wherever you get Mysteries to Die For
The star of this story is the premise. A clean-cut Miami sports reporter with a perpetual tan travels to a wintery NYC on a quest for a girl with stars in her eyes and the briefcase she stole. The why is a deadbeat uncle who tried to grift the wrong guys – Chicago mob – and was the reason the girl got big ideas of acting in NY. It’s a classic fish-out-of-water story, with Bud Palmer arriving in NYC with his warmest clothing being a tennis sweater.
In our modern world, franchises and uniform laws can make one city blend into another. Frome does an amazing job of showing us Miami, with its lush foliage and mangoes, and then NYC, with it’s art, music, neighborhoods as well as noise, neon, crowds. The language is different between the two cities as are the customs and Bud has to figure it all out on the fly.
Bud is an easy hero to cheer for. He is a reluctant hero but doesn’t get melancholy about it. He is a stand-up guy who doesn’t compromise his character as he navigates the mess. The lead character for the mob is named Ed. He’s a middleman who is getting pinched, and in turn pinching Bud. I didn’t have feelings one way or the other for Ed in the beginning but became sympathetic as I saw just how powerless he was in this escapade.
The pacing is methodical. This is a plot driven story, not action. Every chapter had a purpose and progressed the plot. The story was primarily from Bud’s POV but injected enough from Ed that the reader realizes just how big of a mess the setup is.
The logic of the quest – Bud finding the girl and the briefcase – is straightforward and holds up. I had some trouble with the motivation of the inevitable side quests. I believe we were intentionally somewhat outrageous as a caricature of the NY art scene, at least that was the way I took them.
Characters driving their own story is a big thing for me. Bud didn’t ask for this quest, but once he took it on, he moved forward. He wasn’t given much to work with – a picture and a name – so he had to create something out of nothing.
The fabric of the storytelling was woven with historical events, like the Castro led rebellion in Cuba, and cultural events, like the publishing of TO KILL A MOCKINGBIRD. This gave the story fresh a literary / arts texture.
The year the story was set is never stated (even though Bud reads a newspaper like everyday.) Events referenced included an imminent end to the Cuban revolution (Jan 1959), a pre-lease review of TO KILL A MOCKINGBIRD (published July 1960), Marilyn Monroe’s marriage to Arthur Miller (married 1957, divorced 1961), and WEST SIDE STORY on broadway (debut Sept 1957, closed June 1959).
It is a fun read, watching Bud get deeper into the trouble he didn’t cause, and then figuring out how to dig his way out of it.
The Fast Times, Big City was released from BQB Publishing and is promoted by Partners In Crime Tours and is available from AMAZON LINK and other book retailers.
About Shelly Frome
Shelly Frome is a member of Mystery Writers of America, a professor of dramatic arts emeritus at UConn, a former professional actor, and a writer of crime novels and books on theater and film. He also is a features writer for Gannett Publications. Fast Times, Big City is his latest foray into the world of crime and the amateur sleuth. He lives in Black Mountain, North Carolina.
http://www.shellyfrome.com/
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