WAIST DEEP is a PI Mystery. Stef Kopriva used to be a cop. But that was ten years ago. A shooting, a wrong call, and a deep, personal relationship with a liquor bottle took him from a stand-up guy to the bottom of the barrel. A fight at a hockey game, one in the stands, not on the ice, reconnects Stef with a guy from high school. He has a problem. His 16-year-old daughter has run away. The cops aren’t looking for the little beauty, so he asks Stef for help, who agrees. And things get shady, fast.
Bottom line: WAIST DEEP is for you if you like gritty heroes so far from perfect they’re exactly what a story needs.
Strengths of the story. Zafiro excels at writing characters who are less than perfect. His are not gentlemen detectives who’ve lived charmed lives and solve crimes while hovering above the chaos, like Philo Vance, Lord Peter Wimsey, or Sherlock Holmes. Oh, no. His characters are down in the muck, fighting to keep their heads above water. Stef Kopriva was an ensemble character in Zafiro’s first three River City series books. Ten years after that book three, Kopriva steps out on his own with this full-length case. Kopriva is a well developed character, a loner who has isolated himself from the world and now needs that world if he’s going to find the runaway teen. Maybe it’s Kopriva had already been a part of Zafiro’s world that doesn’t feel like a first book in a series.
Like the leading character, the story scenario is a little dirty, kinda uncomfortable, and totally intriguing. A teen has run away but why and to where? She seems to have caring parents…or is that a front. She was blessed with popularity at school…or is that a curse. She definitely attracts the kind of attention that can destroy a teen, mentally and emotionally if not physically. You keep turning the pages wanting the answer…is she dead?
Where the story fell short of ideal: There weren’t many things to pick on with this book. Standing at the end and looking back to the beginning, the logic is solid. Characters are true to themselves and the writing and editing are solid. There are unsatisfying elements, but they aren’t flaws of the storytelling. They’re just a reader wanting better things to happen to the hero we’re cheering for.
Check Frank Zafiro and Stef Kopriva out for yourself.
TG Wolff 